DEBORAH TCHOUDJINOFF works across moving image and sculpture; often presented in the form of installations. She is attentive to the dialogue between material and digital approaches in the production of her work. For example a sculptural work might make its way into a 3D model in a digital form, or vice versa - a digital 3D model is reconstructed as a sculptural piece. She uses this approach to explore methods of world-building and fiction, the aesthetics of the work often emerging through this process. Deborah is inspired by visual references relating to the otherworldly, the spiritual, the imaginary. Often beginning with a conceptual framework, she considers what the form is through the process of material and visual experimentations. Deborah has worked with metal, wood, or found material to produce static or kinetic sculptures. She has also worked with various digital methods for her moving image. Her practice is underpinned by her curiosity of the role of technology in temporality and the imaginary. Deborah studied at the Royal College of Art (2016) and is currently Lecturer in Emerging Technology at London College of Communication, UAL, London. She has exhibited work at the Lisbon Architecture Triennale 6th Edition (2022), at the Victoria & Albert Museum (2019), Tate Exchange (2019), as part of Five Heads (Tavan Tolgoi) Art, Anthropology, and Mongol Futurism (2018) among other group shows. She has been a finalist for the Youfab Global Creative Awards (2020) and a longlisted artist for the Aesthetica Art Prize (2024).