Conceptual Art is an art movement that emerged in the late 1960s and is characterized by shifting emphasis away from the physical materiality of the aesthetic object and toward the presentation of ideas. In this framework, the concept itself becomes central to the work, challenging conventional assumptions about what counts as an artwork and how art is valued in the market. The provided context describes this shift as a fundamental destabilization of both the definition of art and its systems of evaluation. It also places Kevin Abosch within this lineage, noting that he consistently identifies himself as a conceptual artist and uses technology not as an end in itself, but as a tool for illuminating the epistemological limits and value systems of human society. In this sense, digital media, blockchain protocols, and generative AI are treated as means for articulating conceptual concerns rather than as merely technical media. The surrounding passages further connect conceptual thinking to practices that blur boundaries between reality and fiction, authorship and autonomous systems, and materiality and information. However, based only on the supplied context, a fuller historical account of Conceptual Art or its major canonical works cannot be provided.