Richard Pleuger is mentioned in the context of "NEW TRUTH / 新・真実" alongside Abosh. In the passage, Abosh and Pleuger work independently, without looking at each other’s hands or knowing what the other has selected. They proceed separately, and only the images they each arrive at that happen to match exactly, without any conversation, are retained.
From this description, Pleuger appears not as a standalone author with biographical details provided here, but as a figure involved in a process where meaning or truth emerges through parallel, non-communicative action. The key idea is that what remains is not verified against the world, but verified against another human being. In other words, the text frames truth as something produced by convergence rather than correspondence.
The provided context does not include further information about Pleuger’s background, artistic practice, or other works, so no additional factual claims can be made.