"Deconstruction of Truth" refers to a critical approach that questions whether photographs and images can be treated as direct records of objective reality. In the provided context, especially through NEW TRUTH, the term is tied to the gap between image and real world: a generated image may look like evidence, yet it is produced through models trained on photographic archives and synthetic processes. What appears is therefore not a transparent copy of reality, but a hybrid image that feels familiar while belonging nowhere in actual experience.
The concept also reframes truth as something not inherently contained inside an image, but something assigned to it. In NEW TRUTH, the artists first grant value and truth to the work, and viewers are asked to grant it again through their own attention. This makes truth a matter of interpretation, trust, and timing rather than simple visual correspondence. The context links this to a culture saturated with synthetic memories, post-truth conditions, deepfakes, and information manipulation, where the boundary between reality and fabrication becomes unstable.
Rather than denying truth altogether, the deconstruction of truth exposes how truth is constructed, recognized, and believed. It asks viewers to slow down and decide, for themselves, what they are prepared to believe.